{"id":3778,"date":"2021-01-04T14:36:22","date_gmt":"2021-01-04T13:36:22","guid":{"rendered":"http:\/\/www.editionsamsterdam.fr\/?p=3778"},"modified":"2021-01-04T14:36:22","modified_gmt":"2021-01-04T13:36:22","slug":"keivan-djavadzadeh","status":"publish","type":"post","link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/2021\/01\/04\/keivan-djavadzadeh\/","title":{"rendered":"Keivan Djavadzadeh"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Keivan Djavadzadeh est ma\u00eetre de conf\u00e9rences en sciences de l\u2019information et de la communication \u00e0 l\u2019Universit\u00e9 Paris 8. Membre du Centre d\u2019\u00e9tudes sur les m\u00e9dias, les technologies et l\u2019internationalisation (Cemti), ses recherches portent sur les politiques de repr\u00e9sentation dans les musiques et cultures populaires aux \u00c9tats-Unis. Il a publi\u00e9 de nombreux articles sur les questions de genre dans la culture hip-hop.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keivan Djavadzadeh est ma\u00eetre de conf\u00e9rences en sciences de l\u2019information et de la communication \u00e0 l\u2019Universit\u00e9 Paris 8. Membre du Centre d\u2019\u00e9tudes sur les m\u00e9dias, les technologies et l\u2019internationalisation (Cemti), ses recherches portent sur les politiques de repr\u00e9sentation dans les musiques et cultures populaires aux \u00c9tats-Unis. Il a publi\u00e9 de nombreux articles sur les questions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-3778","post","type-post","status-publish","format-standard","hentry","category-auteur"],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"editions-amsterdam","author_link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/author\/editions-amsterdam\/"},"uagb_comment_info":4,"uagb_excerpt":"Keivan Djavadzadeh est ma\u00eetre de conf\u00e9rences en sciences de l\u2019information et de la communication \u00e0 l\u2019Universit\u00e9 Paris 8. Membre du Centre d\u2019\u00e9tudes sur les m\u00e9dias, les technologies et l\u2019internationalisation (Cemti), ses recherches portent sur les politiques de repr\u00e9sentation dans les musiques et cultures populaires aux \u00c9tats-Unis. Il a publi\u00e9 de nombreux articles sur les questions\u2026","_links":{"self":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/3778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/comments?post=3778"}],"version-history":[{"count":0,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/3778\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media?parent=3778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/categories?post=3778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/tags?post=3778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}