{"id":2571,"date":"2018-07-05T16:59:21","date_gmt":"2018-07-05T14:59:21","guid":{"rendered":"http:\/\/www.editionsamsterdam.fr\/?p=2571"},"modified":"2018-07-05T16:59:21","modified_gmt":"2018-07-05T14:59:21","slug":"godard","status":"publish","type":"post","link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/2018\/07\/05\/godard\/","title":{"rendered":"Godard"},"content":{"rendered":"<p>Cet ouvrage \u00e9tudie une p\u00e9riode importante, mais longtemps n\u00e9glig\u00e9e ou calomni\u00e9e, de l\u2019\u0153uvre de Jean-Luc Godard : les ann\u00e9es autour de 1968, durant lesquelles le cin\u00e9aste se politise, se r\u00e9clamant du communisme puis du mao\u00efsme.<br \/>\nComment mettre son cin\u00e9ma au service de la r\u00e9volution ? Porter la r\u00e9volution dans le cin\u00e9ma lui-m\u00eame ? Se situer, s\u2019inscrire dans l\u2019histoire du cin\u00e9ma pour \u00e9largir ses possibilit\u00e9s et usages militants ? <em>La Chinoise<\/em>, <em>Week-end<\/em>, <em>Tout va bien<\/em>\u2026 Pr\u00e8s de vingt films qui sont autant de laboratoires d\u2019un cin\u00e9ma politique r\u00e9volutionnaire. L\u2019association avec Jean-Pierre Gorin dans le \u00ab groupe \u00bb Dziga Vertov modifiera durablement sa conception du cin\u00e9ma en d\u00e9pla\u00e7ant le c\u0153ur des recherches, de l\u2019image vers le montage qui l\u2019int\u00e8gre.<br \/>\nDavid Faroult aborde chacun des films de cette p\u00e9riode, les historicisant pour mieux cerner leurs inventions. Plut\u00f4t qu\u2019\u00e0 la biographie, c\u2019est aux \u0153uvres et aux propos qu\u2019il s\u2019int\u00e9resse. Ainsi, il apporte un nouvel \u00e9clairage sur le cheminement de Godard et sur l\u2019histoire des ann\u00e9es 68, en vue de nourrir des regards et des pratiques \u00e0 venir.<br \/>\nL\u2019\u00e9tude est compl\u00e9t\u00e9e d\u2019un consistant recueil de documents in\u00e9dits et de traductions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cet ouvrage \u00e9tudie une p\u00e9riode importante, mais longtemps n\u00e9glig\u00e9e ou calomni\u00e9e, de l\u2019\u0153uvre de Jean-Luc Godard : les ann\u00e9es autour de 1968, durant lesquelles le cin\u00e9aste se politise, se r\u00e9clamant du communisme puis du mao\u00efsme. Comment mettre son cin\u00e9ma au service de la r\u00e9volution ? Porter la r\u00e9volution dans le cin\u00e9ma lui-m\u00eame ? Se situer, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2649,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[6,17],"tags":[],"class_list":["post-2571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue","category-les-prairies-ordinaires"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard.jpg",1772,2540,false],"thumbnail":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-150x150.jpg",150,150,true],"medium":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-209x300.jpg",209,300,true],"medium_large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-768x1101.jpg",768,1101,true],"large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-714x1024.jpg",714,1024,true],"1536x1536":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-1072x1536.jpg",1072,1536,true],"2048x2048":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2018\/07\/01_LPO_godard-1429x2048.jpg",1429,2048,true]},"uagb_author_info":{"display_name":"editions-amsterdam","author_link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/author\/editions-amsterdam\/"},"uagb_comment_info":1,"uagb_excerpt":"Cet ouvrage \u00e9tudie une p\u00e9riode importante, mais longtemps n\u00e9glig\u00e9e ou calomni\u00e9e, de l\u2019\u0153uvre de Jean-Luc Godard : les ann\u00e9es autour de 1968, durant lesquelles le cin\u00e9aste se politise, se r\u00e9clamant du communisme puis du mao\u00efsme. Comment mettre son cin\u00e9ma au service de la r\u00e9volution ? Porter la r\u00e9volution dans le cin\u00e9ma lui-m\u00eame ? Se situer,\u2026","_links":{"self":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/comments?post=2571"}],"version-history":[{"count":0,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2571\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media\/2649"}],"wp:attachment":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media?parent=2571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/categories?post=2571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/tags?post=2571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}