{"id":2251,"date":"2017-08-22T18:05:05","date_gmt":"2017-08-22T16:05:05","guid":{"rendered":"http:\/\/www.editionsamsterdam.fr\/?p=2251"},"modified":"2017-08-22T18:05:05","modified_gmt":"2017-08-22T16:05:05","slug":"mon-occupation-preferee","status":"publish","type":"post","link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/2017\/08\/22\/mon-occupation-preferee\/","title":{"rendered":"Mon occupation pr\u00e9f\u00e9r\u00e9e"},"content":{"rendered":"<p>D\u00e8s son premier film, <em>Comment j\u2019ai a appris \u00e0 surmonter ma peur&nbsp;et \u00e0 aimer Arikr Sharon<\/em> (1997), Avi Mograbi s\u2019est efforc\u00e9 de montrer le conflit entre celui qui r\u00e9alise et le monde qui s\u2019offre ou qui se refuse \u00e0 sa cam\u00e9ra ; et comment ce m\u00eame conflit g\u00e9n\u00e8re une narration impure, mi-documentaire mi-fictionnelle, apte \u00e0 saisir l\u2019\u00e9tat effectif du moment pr\u00e9sent.<br \/>\n<em>Mon occupation pr\u00e9f\u00e9r\u00e9e<\/em>, sorti en concomitance avec la r\u00e9trospective Avi Mograbi organis\u00e9e par le Jeu de Paume en 2015, est d\u2019une part l\u2019histoire de ce monde double, fictionnel et documentaire \u00e0 la fois et, d\u2019autre part, l\u2019histoire d\u2019un homme qui, depuis toujours, s\u2019occupe, avec l\u2019ironie et la pugnacit\u00e9 caract\u00e9ristiques de son cin\u00e9ma, \u00e0 d\u00e9molir les raisons de l\u2019Occupation.<\/p>\n<p><strong>Entretiens avec Eugenio Renzi<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e8s son premier film, Comment j\u2019ai a appris \u00e0 surmonter ma peur&nbsp;et \u00e0 aimer Arikr Sharon (1997), Avi Mograbi s\u2019est efforc\u00e9 de montrer le conflit entre celui qui r\u00e9alise et le monde qui s\u2019offre ou qui se refuse \u00e0 sa cam\u00e9ra ; et comment ce m\u00eame conflit g\u00e9n\u00e8re une narration impure, mi-documentaire mi-fictionnelle, apte \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2252,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[6,17],"tags":[],"class_list":["post-2251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue","category-les-prairies-ordinaires"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee.jpg",826,1241,false],"thumbnail":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee-150x150.jpg",150,150,true],"medium":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee-200x300.jpg",200,300,true],"medium_large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee-768x1154.jpg",768,1154,true],"large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee-682x1024.jpg",682,1024,true],"1536x1536":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee.jpg",826,1241,false],"2048x2048":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Mograbi-Mon_occupation_preferee.jpg",826,1241,false]},"uagb_author_info":{"display_name":"editions-amsterdam","author_link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/author\/editions-amsterdam\/"},"uagb_comment_info":2,"uagb_excerpt":"D\u00e8s son premier film, Comment j\u2019ai a appris \u00e0 surmonter ma peur&nbsp;et \u00e0 aimer Arikr Sharon (1997), Avi Mograbi s\u2019est efforc\u00e9 de montrer le conflit entre celui qui r\u00e9alise et le monde qui s\u2019offre ou qui se refuse \u00e0 sa cam\u00e9ra ; et comment ce m\u00eame conflit g\u00e9n\u00e8re une narration impure, mi-documentaire mi-fictionnelle, apte \u00e0\u2026","_links":{"self":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/comments?post=2251"}],"version-history":[{"count":0,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2251\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media\/2252"}],"wp:attachment":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media?parent=2251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/categories?post=2251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/tags?post=2251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}