{"id":2178,"date":"2017-08-22T19:05:48","date_gmt":"2017-08-22T17:05:48","guid":{"rendered":"http:\/\/www.editionsamsterdam.fr\/?p=2178"},"modified":"2017-08-22T19:05:48","modified_gmt":"2017-08-22T17:05:48","slug":"evasion-du-japon","status":"publish","type":"post","link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/2017\/08\/22\/evasion-du-japon\/","title":{"rendered":"\u00c9vasion du Japon"},"content":{"rendered":"<p>La d\u00e9cennie 1960 est une p\u00e9riode d\u2019intenses bouleversements dans l\u2019histoire du cin\u00e9ma japonais. L\u2019heure est \u00e0 la lib\u00e9ration sexuelle, \u00e0 la contestation politique, aux mouvements citoyens contre la pollution industrielle : climat libertaire propice aux irr\u00e9v\u00e9rences, dont le monde cin\u00e9matographique se fait comptable \u00e0 travers une s\u00e9rie de scandales. Mais l\u2019acc\u00e8s du pays \u00e0 la prosp\u00e9rit\u00e9 au tournant des ann\u00e9es 1960, c\u00e9l\u00e9br\u00e9e en grande pompe par les Jeux Olympiques de Tokyo de 1964, semble dissiper cette angoisse, entra\u00eenant les cin\u00e9astes de la nouvelle g\u00e9n\u00e9ration vers d\u2019autres mod\u00e8les th\u00e9oriques et esth\u00e9tiques, aptes \u00e0 rendre compte de la nouvelle soci\u00e9t\u00e9 de consommation et de communication de masse. C\u2019est cette grande mutation qu\u2019<em>\u00c9vasion du Japon<\/em> propose d\u2019explorer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La d\u00e9cennie 1960 est une p\u00e9riode d\u2019intenses bouleversements dans l\u2019histoire du cin\u00e9ma japonais. L\u2019heure est \u00e0 la lib\u00e9ration sexuelle, \u00e0 la contestation politique, aux mouvements citoyens contre la pollution industrielle : climat libertaire propice aux irr\u00e9v\u00e9rences, dont le monde cin\u00e9matographique se fait comptable \u00e0 travers une s\u00e9rie de scandales. Mais l\u2019acc\u00e8s du pays \u00e0 la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[6,17],"tags":[],"class_list":["post-2178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue","category-les-prairies-ordinaires"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon.jpg",827,1243,false],"thumbnail":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon-150x150.jpg",150,150,true],"medium":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon-200x300.jpg",200,300,true],"medium_large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon-768x1154.jpg",768,1154,true],"large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon-681x1024.jpg",681,1024,true],"1536x1536":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon.jpg",827,1243,false],"2048x2048":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Capel-Evasion_du_Japon.jpg",827,1243,false]},"uagb_author_info":{"display_name":"editions-amsterdam","author_link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/author\/editions-amsterdam\/"},"uagb_comment_info":3,"uagb_excerpt":"La d\u00e9cennie 1960 est une p\u00e9riode d\u2019intenses bouleversements dans l\u2019histoire du cin\u00e9ma japonais. L\u2019heure est \u00e0 la lib\u00e9ration sexuelle, \u00e0 la contestation politique, aux mouvements citoyens contre la pollution industrielle : climat libertaire propice aux irr\u00e9v\u00e9rences, dont le monde cin\u00e9matographique se fait comptable \u00e0 travers une s\u00e9rie de scandales. Mais l\u2019acc\u00e8s du pays \u00e0 la\u2026","_links":{"self":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/comments?post=2178"}],"version-history":[{"count":0,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2178\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media\/2179"}],"wp:attachment":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media?parent=2178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/categories?post=2178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/tags?post=2178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}