{"id":2084,"date":"2017-08-23T15:36:09","date_gmt":"2017-08-23T13:36:09","guid":{"rendered":"http:\/\/www.editionsamsterdam.fr\/?p=2084"},"modified":"2017-08-23T15:36:09","modified_gmt":"2017-08-23T13:36:09","slug":"raymond-chandler","status":"publish","type":"post","link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/2017\/08\/23\/raymond-chandler\/","title":{"rendered":"Raymond Chandler"},"content":{"rendered":"<p>Raymond Chandler, \u00e9blouissant styliste et peintre de la vie am\u00e9ricaine, occupe une place unique dans l\u2019histoire litt\u00e9raire, \u00e0 cheval sur les\u00a0pulps\u00a0et le modernisme. Avec\u00a0<em>Le Grand Sommeil<\/em>, publi\u00e9 en 1939, il laisse une empreinte ind\u00e9l\u00e9bile sur le genre policier. Fredric Jameson propose ici une interpr\u00e9tation de son \u0153uvre romanesque en reconstruisant la situation dans laquelle elle s\u2019inscrit et le monde ou la totalit\u00e9 sociale qu\u2019elle projette.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Raymond Chandler, \u00e9blouissant styliste et peintre de la vie am\u00e9ricaine, occupe une place unique dans l\u2019histoire litt\u00e9raire, \u00e0 cheval sur les\u00a0pulps\u00a0et le modernisme. Avec\u00a0Le Grand Sommeil, publi\u00e9 en 1939, il laisse une empreinte ind\u00e9l\u00e9bile sur le genre policier. Fredric Jameson propose ici une interpr\u00e9tation de son \u0153uvre romanesque en reconstruisant la situation dans laquelle elle [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","footnotes":""},"categories":[6,17],"tags":[],"class_list":["post-2084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-catalogue","category-les-prairies-ordinaires"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler.jpg",691,1092,false],"thumbnail":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler-150x150.jpg",150,150,true],"medium":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler-190x300.jpg",190,300,true],"medium_large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler.jpg",691,1092,false],"large":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler-648x1024.jpg",648,1024,true],"1536x1536":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler.jpg",691,1092,false],"2048x2048":["https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/wp-content\/uploads\/2017\/08\/Jameson-Chandler.jpg",691,1092,false]},"uagb_author_info":{"display_name":"editions-amsterdam","author_link":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/author\/editions-amsterdam\/"},"uagb_comment_info":7,"uagb_excerpt":"Raymond Chandler, \u00e9blouissant styliste et peintre de la vie am\u00e9ricaine, occupe une place unique dans l\u2019histoire litt\u00e9raire, \u00e0 cheval sur les\u00a0pulps\u00a0et le modernisme. Avec\u00a0Le Grand Sommeil, publi\u00e9 en 1939, il laisse une empreinte ind\u00e9l\u00e9bile sur le genre policier. Fredric Jameson propose ici une interpr\u00e9tation de son \u0153uvre romanesque en reconstruisant la situation dans laquelle elle\u2026","_links":{"self":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/comments?post=2084"}],"version-history":[{"count":0,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/posts\/2084\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media\/2085"}],"wp:attachment":[{"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/media?parent=2084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/categories?post=2084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nouveausite.editionsamsterdam.fr\/secondsite\/index.php\/wp-json\/wp\/v2\/tags?post=2084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}